摘要：《西厢记》的故事发生在唐代贞元年间，在那个时候唐朝的鼎盛时期已经过去,但封建社会的一整套礼仪和制度还是根深蒂固的。女子没有家长的同意就出门要受到严厉处罚，传统的婚姻讲究门当户对,金钱权势是婚姻的基础，父母做主是婚姻的缔结方式。这些规范和习俗依旧规范着人们的生活,在人们心里落下深深地痕迹，似乎比以前更加严苛。不幸的是崔莺莺就生活在那个封建时代,作为子女，不论男女双方当事人的意愿，都必须听从“父母之命，媒妁之言”。而这篇文章强调婚姻的基础是“有情的”，而“有情”只能由婚姻双方的当事人才能完成，这样子就将婚姻的决定权从局外人手中夺回到当事人手中。
关键词：西厢记；崔莺莺；人物形象
Abstract: "the West Chamber" of the story is happened in Tang Dynasty Zhenyuan years, at that time, the height of the Tang period has passed, but the feudal society, a set of etiquette and system still ingrained. For women, parents are allowed out will be severely punished without, the traditional marital stress Mendanghudui, money and power is the basis of marriage, parents is the marriage mode. These norms and customs still regulate people's life, deeply trace in people heart in drop, seems ever more stringent. Unfortunately Cui Yingying was living in the feudal era, as children, both male and female, both parties will, must obey the orders of parents, the words of a match-maker "". This article emphasizes the foundation of marriage is "love", and "love" can only be completed by the parties to the marriage, the parties to such, will decide the right of marriage from outsiders to hand back to the party.
Keywords: Romance of the Western Chamber; Cui Yingying; Characters
崔莺莺形象在《西厢记》接受史上屡得好评。有人说“《西厢记》中女主角崔莺莺为追求理想爱情而与封建礼法在心理在和行动上产生的‘情’与‘礼’的抗争是以一种胶着状态进行的,互有增长,互有低落……”[1]也有人说：“王实甫《西厢记》中塑造的崔莺莺形象美丽、勇敢而又多愁善感，丰富和拓展了古代文学中的女性人物世界。她为了追求理想爱情，在心理和行为上对封建礼法进行了抗争，她所昭示的“愿普天下有情人终成眷属”的思想深入人心、焕发着永恒的光彩。”[2]本文主要论述《西厢记》中崔莺莺的人物形象，并与其他文学作品的人物做必要比较分析。
